Chats With a Dragon, Chapter 2 The Valoi
Sian is putting the finishing touches on her simple practice gi when there is a knock at the door. She turns to look at a young woman who is putting things away and nods to her. “Please see who that is, Kaizin. It should be the Master, although he is a bit early this morning.”
The woman bows her head without speaking and walks to the door, sliding it open to show the figure of Schwartzkopf standing beyond. Kaizin immediately drops to her knees and bows her head. “It is Master Schwartzkopf, Mistress.”
Sian turns to the doorway and bows to the man standing there. “Welcome, Master. You are early. Thank you, Kaizin, you may leave us.”
Without raising her head, the young woman rises to her feet and leaves the room through the door, sliding it shut behind her. The man eyes her as she moves then turns to face Sian when they are alone. “Is she new, Sian? I do not remember her face. She is pretty.”
Sian chuckles. “Yes, Master, she is new and she is very pretty. She is also very good at her job here and a valued member of my personal staff. I would be distressed if you tried to poach this one.”
The man laughs as she motions for him to enter the room. Sian bows her head again, saying, “How may I serve you, Master?”
Schwartzkopf smiles as he walks into the room. He stops to view a watercolor landscape that is positioned on an easel in such a manner as to catch the best of the light coming in through the skylight above it. “Ah, I see you have finished it. Very nice, Sian. You get better all the time.”
Sian bows. “Thank you, Master. And you are here early to discuss…………….?”
The man laughs. “Can’t I just be early for no reason at all?” At the woman’s look, he holds up his hands. “Alright, alright. Why is it that I cannot ever get anything past you? Is it too much to ask to do that even once? We have had a sniff of a clue to the location of the Mayatama Chronicle. How would you like to go back to Japan for a bit?”
Sian nods, apparently not surprised at the news, which causes the man to grimace again. “We have been looking for that tome for quite a while. Is it in someone’s hands?”
The man shakes his head and smiles; he obviously knows something she does not. Or maybe not. He silently considers all the times he has thought he knew more than this woman, only to find out that she had known all he did and frequently even more. The thought brings a slight frown to his face that he quickly hides upon seeing the way Sian looks at him. Damn the woman! She has me just as she wants. What is it about her that allows her to get to me so easily? He answers her with only the barest of pauses. “No, this one you will need to pry out of the ground. That is the good part since it means that we do not have to try to purchase it. The bad part is that it is located on Hokkaido.”
Sian grimaces slightly. “I will make peace with the antiquities commissioner before digging, Master.” She places a hand at the tie to her gi and asks, “Will it be necessary to leave immediately?”
The dragon shakes his head. “No. I knew that you would want to know as soon as possible, but I do not think that you need to hurry there as long as you begin setting things in motion. And I would like to observe your practice this morning, as I said last night.”
Sian nods and bows. In actuality, he had said it earlier this morning as he got out of her bed, but she is not one to correct his statement. She motions to the door to her sleeping chamber and walks on bare feet to the exit, almost gliding in near-silence, then opens the door for them to go out into the hallway beyond. There is no one else in the hallway so Sian walks next to the man instead of the normal step to the rear and left that would be the case if others were present. The distance is not far and the two walk in companionable silence, soon arriving in the main reception room, where Sian goes to stand in front of a portrait of a woman in very dated ceremonial garb that would befit an empress of Japan. From earlier conversations, the man knows that this is the Empress Kogyoku, who was also named Empress Saimei on her second ascension to the throne. He is not positive, but he thinks she ruled during the mid AD 600s, with a decade-long break when she abdicated in favor of her brother. He knows that there is some history between the empress and Sian but has never asked her for the details.
Sian bows low before the portrait and murmurs some words in a version of Japanese that is not commonly used these days. Standing straight, she holds her hands out to the longer of the two swords in a wooden cradle on top of an ornamental chest that sits on the floor under the portrait. The weapon leaves the stand and moves to Sian’s hands and she does…..something…….that is almost too fast for a normal person to even see and the sword is slipped inside the braided cord that is tied around the woman’s waist. She bows again to the portrait and steps back before turning to face her master. With a nod, she motions for him to precede her and the two walk through the garden to where the practice yard is. On the way, Schwartzkopf turns his head to look at Sian. “Tell me about your Valoi, your warriors.”
Sian nods. “Of course, Master. The Valoi are exceptional warriors, trained to be among the very best in the world. On my home plane, they are a caste unto themselves and form the core of the Empire’s armies as well as serve as the personal guards of the Simpiri. They are all mortals and so need to be replaced on occasion to account for age, illness, death in combat, that sort of thing. Most of the replacements come from the families of the Valoi but some are hand-picked from the normal warrior caste so as to provide fresh recruits. Some of the Valoi can trace a heritage of service that spans thousands of years. Training academies were established to continue their training after selection. There are few, if any, that can match their skill, talent, bravery, or loyalty. They are to me what I am to you, Master.”
“When I came through the portal from my plane to this, I was accompanied by two of my Simpiri brothers and six Valoi. We separated into three groups to pursue the three Vecni traitors, each of us taking two Valoi. There is no set limit on the number of Valoi a Simpiri is allowed, but I have kept the limit to two to represent the two who came with me. Suziki and Shoko are direct descendents of the first Valoi I traveled with, making them very special to me. Suziki’s son and Shoko’s daughter are training now to take their mothers’ places in their own turn.”
The two step pas the garden wall onto a path of paving stones that are carved with phrases taken from the tenets of Zen Buddhism and the Samurai Code of Honor. The man can hear Sian softly chanting the verses to herself as she walks on the stones. He can also now hear the sounds of conflict from ahead of them as they approach the practice yard. Another of Sian’s servant, this one a man, bows low to his Mistress and her Master as he opens the heavy wooden door to the yard beyond. A man and woman in their early teens are squaring off against each other in unarmed combat, overseen by an instructor. Nearby, Schwartzkopf can see several pairs of men and women going through similar training. All activity in the yard ceases upon the arrival of Sian and the man as everyone turns to bow low to them. Sian motions for Schwartzkopf to take a seat on a padded bench under an awning as she goes to the center of the yard.
The instructor in the center of the space calls the youngsters to his side and they all move off to a place of observation as two women stand from a kneeling position. They had been still enough to be easily mistaken for statues and they move onto the sand of the training yard with a grace and style that defines them as warriors. Both are armed with an odd-looking long sword of about four feet in length, although one has hers in a scabbard at her hip and is carrying a pair of six foot-long spears. The one with a bare sword approaches Sian while the other stands on the edge of the sand and waits. Bows are exchanged Sian draws her katana and faces the swordswoman, Suziki. The two begin a dance of death that is as graceful as it is deadly and naked blades flash and touch as razor-sharp edges barely miss cutting into flesh. The battle wages back and forth across the sand as blades whir at a speed that is nearly too fast to follow. Both women are experts with their weapons and closely matched in ability, but Suziki is the better warrior and her skill begins to tell against her mistress. Finally, after what is actually a long fight for two swordswomen, the conflict ends as Suziki’s blade cuts through part of Sian’s gi and delivers a narrow slice to her forearm. The few drops of blood is all it takes to end the fight and Sian bows her head low in defeat. When she looks up, her eyes are bright in admiration as she congratulates her opponent in a language only a handful of people on this plane can understand.
Sian gets little time to rest as the other woman calls out something in the same language and tosses her one of the spears she is carrying. With a speed and grace honed by centuries of practice, Sian sheaths her katana and snatches the spear out of the air in one smooth movement. She steps back and bends over a bit, keeping the spear aligned with her upper torso as she grasps it in the center. She and Shoko move together and their weapons blur with the speed of their movement as they battle on the sand. The hum of the blades whirling about is louder than the noise coming from either woman as they compete to be the first to draw blood. A first-time observer could be excused for thinking that this was simple sparring or that the movements were choreographed in any way, but the experienced observer would know that this is not sparring but a fight that could end in serious injury or death to either or both women. As with the swords, Sian is a very skilled and competitive warrior, but she is below Shoko’s level and the difference in skill begins to go against Sian. In the end, the contest is never in doubt and Shoko buries her blade into the chest of her mistress, causing her to collapse onto the sand in a spreading pool of blood.
Schwartzkopf half rises at the sight of his servant laying on the sand, bleeding to death then he sits back down, shaking his head as he remembers that the wound given her, although fatal to most, is as nothing to Sian. Indeed, even as he sits down, the bleeding stops and Sian sits up, shaking her head. She calls out congratulations to Shoko, who comes forward to lend her mistress a hand. By the time Sian stands, the wound is already closed and healing, the only sign that she had even been cut being the red stains on her gi. She steps forward to meet Suziki and Shoko as they walk to her and they stand together for a few moments. A stranger looking at them would see nothing, but someone who has seen it before would know that something passes between the three of them; something completely foreign to most people yet completely understood by all three of the women. The man rises and comes onto the sand and the two Valoi warriors bow to him and then to their mistress as they step back a few feet. Schwartzkopf nods to them then to Sian. “Amazing. It is still amazing every time I see such a display. Thank you for allowing me to observe.”
Sian bows low to him. “Thank you, Master. Perhaps one day I will be standing instead of being left in the sand.”
Shoko and Suziki both make a short, wordless sound and bow again. Given the depth of loyalty and respect between Sian and her Valoi, an observer might be forgiven for thinking that the two had snorted. Sian gives them a look and turns back. “It seems that my loyal Valoi are pretty convinced that will never happen. Sadly, I am of a like mind, but it is in me to dream of such a thing.” She pauses and flicks her eyes to where the boy and girl are standing. “I must speak to my future Valoi, Master. Please excuse me.”
Sian waits for the man to nod then walks over to greet the two youngsters. Both seem to be thirteen or fourteen and are dressed much as she is. They bow very low to Sian as she walks up to them. Shoko’s son, Yuki, is a year older than Suziki’s daughter, Arigo, but it would be hard to tell that by looking at them. The two are close friends and competitors, both trying to live up to the legends that they have heard from birth. Based on the words from their various instructors, they will be true Valoi in their turn. The tutor standing behind them does also bows low. Sian looks at the older man and smiles. “And how are your pupils today, Master Yon?”
The man frowns. “They are no better than they were yesterday and the day before that. It is a wonder that you continue to pay me to tutor such as these. They should be scrubbing floors, not wasting my time.”
Sian nods. “Thank you, Master Yon, for your patience with them. I am sure that you are doing the best you can under the circumstance. Please give them another chance. After all, I may soon be in need of them.”
The older man shakes his head and frowns even more, even though there is a twinkle in his eye that only Sian can see from where he is standing. “I will do as you ask, but only because I respect you.”
Sian bows to the man and turns back to her master, motioning him back to the observation area, where she joins him. The two spend an hour watching the two young people practice and they both note a great improvement over a practice session they had observed just two weeks earlier. As they stand to leave, those in the yard bow to them. Kaizin meets them at the door to the house, holding out a silk kimono. Sian slips out of the bloodied gi and into the kimono, careful to not let her katana drop to the floor. During this changing of clothing, Schwartzkopf makes no attempt to hide his look of admiration of Sian’s body. He has seen it many time and yet it still never fails to stir his blood. Sian enters the reception room and goes to the wall with the portrait and chest, once again bowing and saying some words to the portrait before placing the sword back on its rack. She backs away from the wall and turns to face the dragon, motioning him to the door. “Thank you for visiting with me, Master. I will dress and be out to begin setting things up for the dig. I have people to contact and an appropriate gift to find that will appease the Antiquities Minister of Hokkaido.”
Schwartzkopf nods as he steps into his shoes. “Thank you for allowing me to see the practice today, Sian. I am sure that you will one day defeat them.”
Sian laughs. “Only in my dreams, Master. But that is the way it is supposed to be. If I were better than they are, they would not be true Valoi and might lose their sense of purpose and I would lose yet another small fragment of my first life.”
He laughs with her and adds, “Do you still need such reminders after so long, Sian? Your life is here now; at my side.” He pauses, wondering if he has gone too far and changes the subject. “Remember the dinner function tonight for the University. Be ready by 1600 so we can do the meet-and-greet.”
Sian ignores the first part of what he has just said, focusing on the rest. “Of course, Master. We will be ready. Is your speech prepared yet?”
He laughs and shakes his head. “No, but I am about done with it. You know my patience for such things is limited.”
Sian smiles at her master and lover. He has never been one for standing up in front of a crowd, even a mostly friendly one, and giving speeches. He is most comfortable in front of a class, teaching students about magic in the world and its effects on everyday life in the Sixth Age. Yet, for all that, he is surprisingly good at making speeches and is a primary means of generating the donations that help keep the Charles University afloat in difficult times. He gives Sian one last look as she bows then he leaves the room. As she turns to go to her sleeping chamber, her mind is already furiously at work thinking of what she will need to do to get the expedition going.