[Cynthia Rawson - Sunday June 10th, 2075; Cynthia's appartment] #22
"Me? There's nothing to say about me. As for what I would like to do with the rooms..." She looks around, as if seeing it for the first time, then shrugs. "I don't use most of them so... I don't really care? As for the ones I use..." She seems to hesitate. Then, with an inspiration, much like one takes when preparing to do something unpleasant - and probably painful - she finishes "I may as well show you I suppose". She turns, inviting you to follow.
The room near the living room is the kitchen. In the sink, there's a single blue mug filled with water, a plate and some flatwares are set to dry near it. The thing that really catches the attention though is the extensive Soy Processing Unit. One of the latest models, capable to produce almost anything one wants, with a result very close to the real deal. From the way Cynthia looks at the thing, you could swear it is her favourite member of the family...
After that comes a set of spare rooms - including a guest room - that seem completely unused. From the lack of dust, they are probably visited by the cleaning bot once a week or so, but that's probably all. The bathroom is... To put it simply, if you didn't know, you would have believed it was some guy's bathroom. There's nothing feminine at all in there, just the bare minimum...by men's standards at that! Her bedroom is better. Probably because by now, your expectations are quite low. Still, it seems comfortable and for once, lived in. The bed - unmade, with her nightie on the pillow - sports warm colours, there's some posters on the wall - music bands, concerts posters, game promotions, etc. The closet, open, leads you to believe that there's nothing else than jeans, t-shirts, sweatshirts and tracksuits. Of course, there might be something else than you can see at first glance, but from what you saw up to know, and on the ground near the bed, you estimate it's unlikely.
Nearing what is probably the last room, Cynthia seems to slow down, hesitating a bit. From there, you can here some music, some kind of rock. With a shrug, she opens the door. There, you can see what is probably the room where Cynthia spends all her time in the house. There's still the mess you were expecting, but this time it's in a warm kind of way. You can see the same kind of posters as the ones in the bedroom, there is a display cabinet with some figurines. On the desk against the wall is a comlink - the Ikon from Hermes you believe - and a set of trodes on it. In the centre of the room lies a well worn couch, the kind that becomes that way not because it's not taken care of, but because it is used and loved so much. On the ground, at reaching distance is an half-full mug of soycaf. The wall in front of it is entirely taken by a huge screen. On it is displayed a map of the world with the night and day regions visible. In the day region, the colours of each country seem to continually shift, but you have to pay attention to it for a few seconds to notice it. In the bottom, instead of displaying the south Pacific, there is a window filled with some kind of code.
Walking to the comlink, Cynthia taps on it, and the music changes to a violin piece. Classical, probably old. By the quality of the sound, there are a bunch of small high-quality speakers in the room. Cynthia turns, sitting on the desk. "Here. You now know more about me than most." She seems to consider what she's just said for a second and adds "Or anyone, period. And I didn't even have to tell you anything." By her smile, she seems pleased. And if you had to guess, it's not that you "know more about her". But that she didn't have to speak...